Seal with the enemy rope and now I'm right here, closing by This more than bars they're metaphors, it's a cure for the soul, I, (Soul, I!) Songs I write are from the heart it ain't meant for the closed mind (Closed Mind!) If you talking to my dogs they all gon' cosignĪnd I'm sitting on a gold mine (Gold Mine!) I done made it out the bottom on the slow climb Who you know that pitch to always throws strikesĮverytime I get the ball across the goal line
The difference be in my consistency and I don't need MC's to ghost write You sayin' snap and harder than me, close but no dice I ain't handicapped or slow or no average Joe When your back is turned they throw knives I've been on the rise for almost five yearsīut most of my peers they hope I nose dived I suppose that your eyes were closed the whole time Lay, with the strange, but his name, will become Paving, the way, was embraced, by the slum Alexandre Desplat’s song is a hauntingly beautiful way to start Deathly Hallows – Part 1.Raised, in the home, of the brave, and begun The emotive music highlights the sadness and darkness of Hermione wiping her parents’ memory. Gone are the happy melodies of earlier films the fearful and tragic start encapsulates the tone of the final two movies perfectly. This beautifully rhythmic piece plays during the preparation for the battle, and the steady beat shows that. The rhythmic beat is fitting to the typical marching sound associated with battle.
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The beat also matches our pounding heartbeat, which captures the fear presented in the movie wonderfully. Once more, Desplat is toying with our emotions. Nicholas Hooper’s eerie melody expresses the morbid and tragic tone of the Half-Blood Prince film’s end wonderfully. The addition of the choir intensifies the tragedy of the scene.
The slow and poignant melody really captures the sense of longing that Harry would have felt at learning about his family. The fantastic build-up and crescendo never fails to make me empathize with Harry’s loss. This always brings to mind happy images of Hogwarts. It’s a hopeful and lively theme that demonstrates the lightness and joy that filled the first couple of movies. Williams’s piece is an incredibly optimistic way to end Philosopher’s Stone and Chamber of Secrets. With the blessing of Mike Posner’s hook and production, Rittz done fucked around and made a car-driving anthem with the single “Switch Lanes” from The Life And Times of Jonny Valiant.
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This song carries the tradition of other great tunes that are ready-made for a full tank of gas and somewhere/nowhere to go. We decided it would only be proper to list some of those songs out for your glass house enjoyment. When 2Pac got out of prison on a bail paid for by that of Death Row records, he had a lot to say and did it in a very short amount of time. His album All Eyez On Me was the result of that cathartic release, and shrouding just about every song on the sprawling double-disc classic was a middle finger: “Picture Me Rollin'” is one of those songs. Set to a smooth and laid-back Johnny J beat, 2Pac sets the mood from the jump: “Picture me rollin’ in my 500 Benz.” For anyone that made it to be behind the wheel of a fine automobile despite the naysayers (i.e. ScHoolboy Q – “Hands On The Wheel” (Feat. Out of all the songs on this list, Schoolboy Q’s “Hands On The Wheel” has probably encouraged the most reckless driving (and reckless behavior for that matter). A dizzying ode to consumption and doing whatever-the-fuck, this hit was ready-made for the car and a heavy foot on the pedal, just be sure you’re not actually on the things that ScHoolboy Q and A$AP Rocky are rapping about while you take your car out to this song. Some driving songs aren’t meant for the highway but for the strip. As the title implies, Kanye West’s “Drive Slow” is meant for “crawlin’ like a caterpillar” as guest lyricist Pall Wall states in his verse. This song is a celebration of automobile admiration, a meditation on the features of a whip that draws passerby attention.
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